2e:I[3597,["601","static/chunks/601-717ec1fd0427d20c.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA","540","static/chunks/540-2df778ea9ede3a53.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA","417","static/chunks/417-68eb2c4268585e25.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA","361","static/chunks/361-516cb86b9158bed2.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA","861","static/chunks/861-a6d41f700cab799e.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA","73","static/chunks/app/%5BsiteKey%5D/%5Blocale%5D/works/page-236c3150cdea2a35.js?dpl=dpl_p53xdT9qqziceAhcLomNET4XwVZA"],"WorkListItemExpandable"] 2f:T495,Instrumentation: 2\*.2\*.2\*.2 / 2.1.1.0 / perc / str: 3.3.2.2.1\[min\] Soloists: v, 2nar Unfortunately we don't have information about additional woodwind instruments.

“I saw the sun / how she shone / mighty she seemed” – these are some of the words of the Icelandic poem that underlies Karin Rehnqvist’s *Solsången* (“The sun song”). The music, too, feels mighty, with an introductory movement where the orchestra keeps us in a tight grasp of shivering chords. The intervals are dominated by octaves that create a sense of something monumental, with dissonant clusters instilling a sense of awe or perhaps fear. The work is dedicated to Lena Willemark who has also performed its vocal solo part, and is a prime example of what can be achieved through an intimate collaboration between composer and musician. *Siri Landgren*30:T495,Instrumentation: 2\*.2\*.2\*.2 / 2.1.1.0 / perc / str: 3.3.2.2.1\[min\] Soloists: v, 2nar Unfortunately we don't have information about additional woodwind instruments.

Works

Works

Karin Rehnqvist

Solsången / Sun Song

Ylva Nyberg Bentancor

Daghuden – natthuden

Karin Rehnqvist

Solsången / Sun Song

Ylva Nyberg Bentancor

Daghuden – natthuden