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\n\n*Contour* is a sculptural piece where the organ’s homogeneity of tone and articulation is used to highlight harmonic relations. Intervals like minor and major seconds give rise to acoustic beatings that make the notes almost tangible. The work is located strictly in the higher registers, utilizing an unusual 2-foot stop in the pedals to add even more treble to the organist's palette. This makes for a cold, slowly shifting landscape of sound, reminiscent of a frosty fall morning in the Nordics.\n\nSiri Landgren","shortContent":null,"extraContent":null,"excerpt":null,"metaTitle":null,"metaDescription":null,"keywords":null,"contentJSON":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Instrumentation: org","type":"text"}]},{"type":"iframe","attrs":{"src":"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/soundcloud%253Atracks%253A58776062&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true","style":null,"width":"100%","height":"300","frameborder":"no","allowfullscreen":true}},{"type":"paragraph","content":[{"text":"Contour","type":"text","marks":[{"type":"italic"}]},{"text":" is a sculptural piece where the organ’s homogeneity of tone and articulation is used to highlight harmonic relations. Intervals like minor and major seconds give rise to acoustic beatings that make the notes almost tangible. The work is located strictly in the higher registers, utilizing an unusual 2-foot stop in the pedals to add even more treble to the organist's palette. This makes for a cold, slowly shifting landscape of sound, reminiscent of a frosty fall morning in the Nordics.","type":"text"}]},{"type":"paragraph","content":[{"text":"Siri Landgren","type":"text"}]}]}},{"siteId":"cm7d61euj0001oxp2w2idnlqd","locale":"sv","title":"Contour","content":"Instrumentation: org\n\n

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\n\n*Contour* is a sculptural piece where the organ’s homogeneity of tone and articulation is used to highlight harmonic relations. Intervals like minor and major seconds give rise to acoustic beatings that make the notes almost tangible. The work is located strictly in the higher registers, utilizing an unusual 2-foot stop in the pedals to add even more treble to the organist's palette. This makes for a cold, slowly shifting landscape of sound, reminiscent of a frosty fall morning in the Nordics.\n\nSiri Landgren","shortContent":null,"extraContent":null,"excerpt":null,"metaTitle":null,"metaDescription":null,"keywords":null,"contentJSON":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Instrumentation: org","type":"text"}]},{"type":"iframe","attrs":{"src":"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/soundcloud%253Atracks%253A58776062&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true","style":null,"width":"100%","height":"300","frameborder":"no","allowfullscreen":true}},{"type":"paragraph","content":[{"text":"Contour","type":"text","marks":[{"type":"italic"}]},{"text":" is a sculptural piece where the organ’s homogeneity of tone and articulation is used to highlight harmonic relations.

Works

Catharina Palmér

Sounds of Transparence

Hanna Blomberg

Ett liv

Kerstin Jeppsson

Ottobre

Kerstin Jeppsson

Pie Jesu

Kerstin Jeppsson

L'angelo

Kerstin Jeppsson

Saknad

Laura Netzel

Stabat Mater

Laura Netzel

Ave Maria, op. 41

Laura Netzel

Romance in E major, op. 38

Madeleine Isaksson

Infiltrations

Mette Nielsen

Contour

Paula af Malmborg Ward

Missa praesentis dialectica